Sally Beamish - Catalogue
http://www.scottishmusiccentre.com/sally_beamish/
Catalogue
Monster : An Opera in 2 Acts (2002)
Sally Beamish, Janice Galloway
Commissioned by Scottish Opera & the Brighton Festival supported by the National Lottery.
First performance:
Scottish Opera / Diego Masson, Theatre Royal, Glasgow, 28 Feb 2002
Video recording BBC Scotland / location: sound archive - YELLOW [enquire]
Vocal score / location: ref library [enquire]
Score : unpublished / Location: ref library [enquire]
Part(s) : unpublished / Location: hire library [enquire]
Score : unpublished / Location: hard disk (sibelius file) [enquire]
Part(s) : unpublished / Location: hard disk (sibelius file) [enquire]
Libretto / location: ref library [enquire]
Video recording BBC (off air recording) / location: sound archive [enquire]
Vocal score / location: archive collection [enquire]
Recording BBC (off air recording) / location: sound archive - YELLOW [enquire]
Part(s) : unpublished / Location: archive collection [enquire]
Score : unpublished / Location: archive collection [enquire]
View performance history...
Sally Beamish, Janice Galloway
Commissioned by Scottish Opera & the Brighton Festival supported by the National Lottery.
First performance:
Scottish Opera / Diego Masson, Theatre Royal, Glasgow, 28 Feb 2002
Work Details
Category: opera theatre
Duration: 2'
Instrumentation: 2 S 2 M-S 1 A 5 T 3 Bar 1 B / SA / 2(1)2(1)2(1)2(1) 4231 Tp 3 Perc Fp Str
Duration: 2'
Instrumentation: 2 S 2 M-S 1 A 5 T 3 Bar 1 B / SA / 2(1)2(1)2(1)2(1) 4231 Tp 3 Perc Fp Str
SMC Holdings
Notes
Orchestra material and vocal scores produced with funds generously provided by the Performing Right Society Foundation with additional support from The Holst Foundation and The Britten-Pears Foundation.
Production supported by the Alexander Gibson Circle.
Orchestra material and vocal scores produced with funds generously provided by the Performing Right Society Foundation with additional support from The Holst Foundation and The Britten-Pears Foundation.
Production supported by the Alexander Gibson Circle.
