Jennifer Martin - Catalogue
http://www.scottishmusiccentre.com/jennifer_martin/
Catalogue
Airborne : A Monologue (2002)
Programme Note available
Jennifer Martin
First performance:
Mark O' Keeffe, Queen Elizabeth Hall, London, 10 May 2003
Score : unpublished / Location: ref library [enquire]
Score : unpublished / Location: hard disk (sibelius file) [enquire]
View performance history...
Jennifer Martin
First performance:
Mark O' Keeffe, Queen Elizabeth Hall, London, 10 May 2003
Work Details
Category: instrumental solo
Duration: 9'
Instrumentation: Tpt
Duration: 9'
Instrumentation: Tpt
SMC Holdings
Programme Note
Monologue – n. a composition put into the mouth of one person, or intended to be spoken by one person.
‘Airborne – A Monologue’ evolved from a chance encounter with the monologues of Hugo Blick, shown a couple of years ago on BBC 2. The story-teller (Joanna Lumley) could tell us a great deal about her character through simply being present on the screen, but through the inclusion of descriptive reference to places or characters beyond herself, the viewer could build up a far more detailed picture of who this individual was. This structure then became the starting point for my work. I liked the idea of there being one sound source which could define itself in musical terms but which could also allude to other, more elusive sounds, as the work unfolded. I wanted to allow the thoughts of one incarcerated to become airborne and to find some release from an enclosed oppression through their own imaginings. The sound is tense and constrained before it finds a freedom for itself. The musical material is derived from the spectral analysis of a series of trumpet multiphonics.
Monologue – n. a composition put into the mouth of one person, or intended to be spoken by one person.
‘Airborne – A Monologue’ evolved from a chance encounter with the monologues of Hugo Blick, shown a couple of years ago on BBC 2. The story-teller (Joanna Lumley) could tell us a great deal about her character through simply being present on the screen, but through the inclusion of descriptive reference to places or characters beyond herself, the viewer could build up a far more detailed picture of who this individual was. This structure then became the starting point for my work. I liked the idea of there being one sound source which could define itself in musical terms but which could also allude to other, more elusive sounds, as the work unfolded. I wanted to allow the thoughts of one incarcerated to become airborne and to find some release from an enclosed oppression through their own imaginings. The sound is tense and constrained before it finds a freedom for itself. The musical material is derived from the spectral analysis of a series of trumpet multiphonics.
Notes
For Mark O'Keeffe
For Mark O'Keeffe
