Jennifer Martin - Catalogue
http://www.scottishmusiccentre.com/jennifer_martin/
Catalogue
Hearing Pictures (2001)
Programme Note available
Jennifer Martin
Commissioned by The New Edinburgh Orchestra with funds from SAC National Lottery Fund..
First performance:
New Edinburgh Orchestra / Tim Paxton, Nicolson Square Methodist Church, Edinburgh, 01 Dec 2001
View performance history...
Programme Note availableJennifer Martin
Commissioned by The New Edinburgh Orchestra with funds from SAC National Lottery Fund..
First performance:
New Edinburgh Orchestra / Tim Paxton, Nicolson Square Methodist Church, Edinburgh, 01 Dec 2001
Work Details
Category: chamber orchestral
Duration: 13'
Instrumentation: 2222 2200 Perc Str
Duration: 13'
Instrumentation: 2222 2200 Perc Str
Programme Note
Several years ago, I was involved in a research project with the animator Jenny Chapman, where we looked at how a fuller understanding of our respective creative processes could inform our work. I had always been aware that I visualized the sound, texture and colour of my music, but it was during the making of our film that I could begin to see my music, in terms of very real pictures, textures and shapes. I then began to look at whether my musical language could communicate imaginary pictures to an audience without any visual help, or whether I could encourage listeners to hear pictures of their own as a work unfolded.
The images which Hearing Pictures aims to reflect are twofold. The first is of flocks of sea birds darting above the waters of a calm Loch Fleet in Sutherland, appearing and disappearing as they move in perfect unison. The second is of the wild water of Loch Ness on a dismal Autumn day, battering the stony shoreline at Dores. What you, the audience hears or sees may of course be entirely different.
Several years ago, I was involved in a research project with the animator Jenny Chapman, where we looked at how a fuller understanding of our respective creative processes could inform our work. I had always been aware that I visualized the sound, texture and colour of my music, but it was during the making of our film that I could begin to see my music, in terms of very real pictures, textures and shapes. I then began to look at whether my musical language could communicate imaginary pictures to an audience without any visual help, or whether I could encourage listeners to hear pictures of their own as a work unfolded.
The images which Hearing Pictures aims to reflect are twofold. The first is of flocks of sea birds darting above the waters of a calm Loch Fleet in Sutherland, appearing and disappearing as they move in perfect unison. The second is of the wild water of Loch Ness on a dismal Autumn day, battering the stony shoreline at Dores. What you, the audience hears or sees may of course be entirely different.
View performance history...
Item Details
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Item Details
Publisher: unpublished
Location: hire library
Format: part(s)
Location: hire library
Format: part(s)